Madonna. Edvard Munch, 1895.
Sigrun Rafter, an art historian at the Oslo National Gallery suggests that Munch intended to represent Mary in the life-making act of intercourse, with the sanctity and sensuality of the union captured by Munch. The usual golden halo of Mary has been replaced with a red halo symbolizing the love and pain duality. The viewer's viewpoint is that of the lover with her.
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